![\"\"](\"https:\/\/jbh.is\/bs\/wp-content\/uploads\/2019\/10\/faust.jpg\")
\nFr\u00e1 Borgarleikh\u00fasinu<\/center>
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\u201eGeggju\u00f0 flott s\u00fdning\u201d, sag\u00f0i gelgjan vi\u00f0 hli\u00f0ina \u00e1 m\u00e9r, um lei\u00f0 og h\u00fan st\u00f3\u00f0 upp a\u00f0 lokinni fors\u00fdningu, sem \u00e9g s\u00f3tti til a\u00f0 undirb\u00faa mig. \u201eKjaft\u00e6\u00f0i\u00f0 \u00ed kallinum var a\u00f0 v\u00edsu hundlei\u00f0inlegt, en loftfimleikarnir voru cool.\u201d<\/p>\n
Einhvern veginn svona komst h\u00fan a\u00f0 or\u00f0i, stelpan. Og \u00e9g f\u00f3r a\u00f0 hugsa um \u00fea\u00f0 \u00e1 lei\u00f0inni heim, a\u00f0 l\u00edklega v\u00e6ri \u00feetta einmitt r\u00e9tta lei\u00f0in til a\u00f0 pranga heimsb\u00f3kmenntunum upp \u00e1 gelgjur og g\u00f6slara n\u00fat\u00edmans. Beita \u00feau s\u00f6mu a\u00f0fer\u00f0um og \u00ed leiksk\u00f3lanum? Gera n\u00e1mi\u00f0 a\u00f0 leik? Og \u00e1\u00f0ur en \u00feau vita af, hafa \u00feau fengi\u00f0 \u00e1huga \u00e1 heimspekilegum vangaveltum Goethes \u2013 \u00e9g tala n\u00fa ekki um allra hinna, Shakespeares, Schiller e\u00f0a Ibsens. Og \u00feessi a\u00f0fer\u00f0 \u00e1 au\u00f0vita\u00f0 r\u00e9tt \u00e1 s\u00e9r, ef h\u00fan n\u00e6r til\u00e6tlu\u00f0um \u00e1rangri.<\/p>\n\n\n\n\n\n
Atli Heimir vinur minn segir m\u00e9r, a\u00f0 allir m\u00f6gnu\u00f0ustu t\u00f3nsnillingar veraldarinnar hafi selt s\u00e1lu s\u00edna til \u00feess a\u00f0 l\u00e1ta drauminn r\u00e6tast um fullkomnun \u00ed list sinni. T\u00f6lum vi\u00f0 ekki um himneska fegur\u00f0? \u00dea\u00f0 fegursta \u00ed hinni \u00e6\u00f0stu list, t\u00f3nlistinni, er af \u00fev\u00ed taginu. \u00dea\u00f0 br\u00fdtur bo\u00f0or\u00f0 mennskrar tilveru, \u00fea\u00f0 er yfirskilvitlegt, ofurmannlegt. \u00dea\u00f0an kemur or\u00f0atilt\u00e6ki\u00f0: listama\u00f0ur af Gu\u00f0sn\u00e1\u00f0 ? En ef forsj\u00f3nin neitar \u00fe\u00e9r um n\u00e1\u00f0arg\u00e1funa, hva\u00f0 er \u00fe\u00e1 til r\u00e1\u00f0a? A\u00f0 semja vi\u00f0 keppinautinn, h\u00fasb\u00f3ndann \u00ed Ne\u00f0ra.<\/p>\n
Fab\u00falan um Faust er \u00e6vaforn. H\u00fan byrjar \u00fear sem freistarinn lei\u00f0ir frelsarann upp \u00e1 ofurh\u00e1tt fjall og s\u00fdnir honum d\u00fdr\u00f0 heimsins og segir: Allt \u00feetta skal veitast \u00fe\u00e9r \u2013 ef \u00fe\u00fa fellur fram og tilbi\u00f0ur mig? Frelsarinn v\u00edsar freistingunni \u00e1 bug me\u00f0 or\u00f0unum: V\u00edk fr\u00e1 m\u00e9r, Satan.
\nEn frelsarinn var ekki venjulegur ma\u00f0ur. Hann var sonur Gu\u00f0s \u2013 sendur ni\u00f0ur \u00ed T\u00e1radal mannl\u00edfsins til \u00feess a\u00f0 bera syndir heimsins. Vald hans var ekki af \u00feessum heimi. Me\u00f0 Gu\u00f0 a\u00f0 bakhjarli gat hann unni\u00f0 kraftaverk. Haltir og lama\u00f0ir gengu sem heilir v\u00e6ru og blindir fengu s\u00fdn. Er nema von, a\u00f0 venjulegir dau\u00f0legir menn freistist til \u00feess a\u00f0 vilja n\u00e1 sl\u00edku valdi \u00e1 tilverunni?<\/p>\n
En getur \u00fea\u00f0 gerst \u00e1n f\u00f3rna? Hverju viltu f\u00f3rna fyrir \u00fea\u00f0 a\u00f0 losna \u00far \u00e1l\u00f6gum mennskrar tilveru? Til \u00feess a\u00f0 r\u00edsa upp yfir mennsk takm\u00f6rk, til a\u00f0 \u00f6\u00f0last hlutdeild \u00ed himnesku valdi? V\u00edsindama\u00f0urinn sem vill skilja gangverk n\u00e1tt\u00farunnar (sk\u00f6punarverk Gu\u00f0s)? Valdsma\u00f0urinn sem vill beygja a\u00f0ra undir vilja sinn? Au\u00f0k\u00fdfingurinn sem \u00ed krafti peninganna vill kaupa s\u00e9r v\u00f6ld (og jafnvel hamingju)?<\/p>\n
Allt vald spillir. Alr\u00e6\u00f0isvald spillir algerlega. \u00deetta er mannkynssagan. \u00deetta er samt\u00edminn. \u00deetta er Doktor Faustus \u2013 d\u00e6misagan um f\u00f3rnarkostna\u00f0 \u00feess a\u00f0 reyna a\u00f0 brj\u00f3ta af s\u00e9r hlekki mannlegra takmarka.<\/p>\n
Fab\u00falan sem Goethe bygg\u00f0i \u00e1, er s\u00f6g\u00f0 vera \u00fe\u00fdsk fr\u00e1 16. \u00f6ld. \u00dea\u00f0 t\u00f3k hann 60 \u00e1r a\u00f0 reka smi\u00f0sh\u00f6ggi\u00f0 \u00e1 \u00feetta meistaraverk sitt, sem jafnframt er eitt af \u00f6ndvegisverkum heimsb\u00f3kmenntanna. Hann var r\u00famlega tv\u00edtugur \u00feegar hann lag\u00f0i fyrstu dr\u00f6g a\u00f0 verkinu, en lauk \u00fev\u00ed r\u00e9tt fyrir andl\u00e1ti\u00f0, 83 \u00e1ra a\u00f0 aldri. \u00deetta var \u00e6viverk hans. Meistaraverk hins \u00fe\u00fdska \u00fej\u00f3\u00f0sk\u00e1lds. Eiginlega er \u00feetta ekki leikrit (\u00fea\u00f0 tekur um 22 klukkustundir \u00ed flutningi), heldur heimspekirit \u00ed lj\u00f3\u00f0staf. \u00deeir f\u00e1u sem hafa lesi\u00f0 \u00fea\u00f0, hafa sumir hverjir aldrei or\u00f0i\u00f0 samir eftir. \u00d3tal sk\u00e1ld hafa reynt sig vi\u00f0 \u00feessa s\u00edgildu d\u00e6mis\u00f6gu me\u00f0 misj\u00f6fnum \u00e1rangri, en Faust Goethes er tindurinn sem gn\u00e6fir yfir alla.<\/p>\n
\u00deeir sem leggja lei\u00f0 s\u00edna \u00ed Borgarleikh\u00fasi\u00f0 til a\u00f0 upplifa Faust eftir h\u00f6fundateymi undir stj\u00f3rn G\u00edsla Arnar Gar\u00f0arsonar \u00feurfa ekki a\u00f0 \u00f3ttast a\u00f0 falla \u00e1 pr\u00f3fi \u00ed \u00fe\u00fdskri heimspeki. \u00deetta er ekki Faust Goethes, en samkv\u00e6mt leikskr\u00e1nni er \u00feetta verk innbl\u00e1si\u00f0 af honum<\/p>\n
Gamall leikari, sem lent hefur inni \u00e1 elliheimili a\u00f0 loknum gl\u00e6stum leikferli er \u00fer\u00e1tt fyrir forna fr\u00e6g\u00f0 sokkinn \u00ed \u00feunglyndi og efast um allt og allt. Til hvers er \u00feetta l\u00edf? Vanitas vanitatis \u2013 allt er \u00feetta helber h\u00e9g\u00f3mi. Af einhverjum \u00e1st\u00e6\u00f0um haf\u00f0i hann aldrei lagt \u00ed a\u00f0 leika Faust. En s\u00e6ta hj\u00fakkan \u00e1 elliheimilinu og a\u00f0rir a\u00f0d\u00e1endur st\u00f3rleikarans mana hann upp \u00ed a\u00f0 gefa rullunni l\u00edf h\u00e9r og n\u00fa. Og hann byrjar. \u00deetta er magna\u00f0ur texti og ma\u00f0ur hugsar gott til gl\u00f3\u00f0arinnar til \u00feess sem \u00ed v\u00e6ndum er: Sannleikurinn mun gera y\u00f0ur frj\u00e1lsa\u2026 \u00deannig byrjar \u00feetta. Og byrjar ansi vel. \u00dea\u00f0 sem m\u00e1li skiptir kemst til skila: F\u00e1n\u00fdti mannlegs l\u00edfs, h\u00e9g\u00f3mleiki, sj\u00e1lfsblekking, vanm\u00e1ttur, vonleysi, uppgj\u00f6f, b\u00f6lm\u00f3\u00f0ur.<\/p>\n
En einmitt \u00feegar textinn er a\u00f0 byrja a\u00f0 hr\u00edfa okkur me\u00f0, birtist g\u00e6sluma\u00f0ur ellinnar og r\u00fdfur flutninginn me\u00f0 eurovision lagi innihaldslausrar bjarts\u00fdni. Alvaran, angistin, \u00f6rv\u00e6ntingin, tilvistarkreppan hverfur \u00fat \u00ed buskann og \u00f6murleg r\u00fat\u00edna gamalmennah\u00e6lisins tekur vi\u00f0. G\u00e6sluma\u00f0ur klappar saman l\u00f3funum, \u201cheims\u00f3knart\u00edma loki\u00f0, sm\u00e1\u00e6fingar \u00ed hj\u00f3last\u00f3lunum, svo allir a\u00f0 h\u00e1tta og l\u00falla.\u201d \u00deetta endurtekur sig svo aftur og aftur allan leikinn \u00ed gegn. Vi\u00f0 erum \u00fdmist \u00ed sk\u00e1ldlegu algleymi e\u00f0a l\u00edtilsvir\u00f0andi andr\u00fami h\u00e6lisins.Vi\u00f0 og leikendur eru hrifin \u00e1 brott \u00far \u00edmynda\u00f0ri ver\u00f6ld inn \u00ed raunveruleikann. Sum okkar neita a\u00f0 horfast \u00ed augu vi\u00f0 sta\u00f0reyndir.<\/p>\n
Hinn hryssingslegi raunveruleiki er s\u00e1, a\u00f0 \u00feegar f\u00f3lk eldist, er tilhneigingin s\u00fa a\u00f0 umgangast \u00fea\u00f0 eins og b\u00f6rn. Tala ni\u00f0ur til \u00feess, hugsa fyrir \u00fea\u00f0 og gera \u00fev\u00ed upp einhvern sta\u00f0la\u00f0an hugarheim, \u00fer\u00f6ngan og f\u00e1t\u00e6klegan. \u00d3\u00feolandi! \u00deessi framkoma er undirstriku\u00f0 \u00ed leikritinu og ver\u00f0ur enn afk\u00e1ralegri og \u00f3ge\u00f0felldari einmitt vegna \u00feess a\u00f0 eldra f\u00f3lki\u00f0, vistmenn h\u00e6lisins, bera af \u00ed andlegu atgervi, hugsa h\u00e1tt og er enn a\u00f0 l\u00e1ta sig dreyma. \u00dea\u00f0 er sagt: tvisvar ver\u00f0ur gamall ma\u00f0ur barn \u2013 en sumir ver\u00f0a aldrei anna\u00f0 en b\u00f6rn<\/p>\n
R\u00fanar Freyr G\u00edslason er n\u00e6stum fullkominn \u00ed hlutverki g\u00e6slumannsins (br\u00f3\u00f0ur Gr\u00e9tu). \u00datlit, framkoma og talsm\u00e1ti hins hversdaglega g\u00e6slumanns ver\u00f0ur svo \u00f3tr\u00falega fyndi\u00f0 \u00ed me\u00f0f\u00f6rum R\u00fanars. \u00c1 sinn l\u00e1tlausa h\u00e1tt tre\u00f0ur hann \u00f6murlegheitunum miskunnarlaust on\u00ed koki\u00f0 \u00e1 okkur \u2013 heims\u00f3knart\u00edma er loki\u00f0.<\/p>\n
\u00dea\u00f0 m\u00e1 eiginlega segja, a\u00f0 nokkurn veginn hi\u00f0 sama gildi um restina af leikh\u00f3pnum. \u00deegar f\u00f3lk er b\u00fai\u00f0 a\u00f0 vinna svona lengi og n\u00e1i\u00f0 saman og hefur \u00e6t\u00ed\u00f0 sett marki\u00f0 h\u00e1tt, \u00e6t\u00ed\u00f0 vali\u00f0 krefjandi verkefni og v\u00e6ntanlega p\u00e6lt dag og n\u00f3tt, eti\u00f0 saman, r\u00edfist og hlegi\u00f0, og jafnvel sofi\u00f0 saman – \u00fe\u00e1 skyldi ma\u00f0ur \u00e6tla, a\u00f0 fullkomnun v\u00e6ri \u00e1 n\u00e6sta leyti.<\/p>\n
Bj\u00f6rn Hlynur og N\u00edna D\u00f6gg \u00ed kompan\u00edi vi\u00f0 Hilmi Sn\u00e6 (sem er n\u00fdr \u00ed h\u00f3pnum) eru \u00f3gleymanlegt tr\u00ed\u00f3. L\u00edkamlegt atgervi, fimi \u00feeirra, fj\u00f6r og l\u00e6v\u00eds gamansemi er rau\u00f0i \u00fer\u00e1\u00f0urinn \u00ed leikverkinu og heldur dampi allan t\u00edmann. Samdr\u00e1ttur Bj\u00f6rns Hlyns og Unnar Aspar kom m\u00e9r fyrir sj\u00f3nir hva\u00f0 eftir anna\u00f0 eins og bernsk m\u00e1lverk Chagalls, einkum \u00feegar \u00feau sigla me\u00f0 himinskautum \u00ed als\u00e6lu \u00e1starinnar. En kannski var \u00feetta einmitt of englap\u00edkulegt til \u00feess a\u00f0 vera tr\u00faver\u00f0ugt. Til hvers haf\u00f0i \u00f6ldungurinn selt s\u00e1lu s\u00edna um alla eil\u00edf\u00f0? Til \u00feess a\u00f0 mega upplifa ofsafengna \u00e1str\u00ed\u00f0u \u00e6sku\u00e1starinnar, \u00fe\u00f3tt ekki v\u00e6ri nema eitt augnablik. \u00dearna vanta\u00f0i a\u00f0 gefa frumst\u00e6\u00f0um – eigum a\u00f0 segja jar\u00f0neskum – kenndum lausan tauminn, er\u00f3t\u00edk, losta\u2026
\nV\u00edkingur er einl\u00e6gur og l\u00edtill\u00e1tur rith\u00f6fundur, en bestur \u00ed gl\u00edmu sinni vi\u00f0 hj\u00f3last\u00f3linn, fl\u00e6ktur \u00ed netinu ofar h\u00f6f\u00f0um \u00e1horfenda. Hanna Mar\u00eda Karlsd\u00f3ttir bregst ekki frekar en fyrri daginn. H\u00e6\u00f0ni og svartur h\u00famor kl\u00e6\u00f0a hana vel, samt r\u00f3leg og yfirvegu\u00f0 eins og konum \u00e1 hennar aldri h\u00e6fir. Ofjarl flestra karlanna.<\/p>\n
\u00de\u00e1 er bara eftir a\u00f0 geta \u00deorsteins Gunnarssonar, sem ekki hefur s\u00e9st \u00e1 svi\u00f0i \u00e1rum saman. En hann hefur engu gleymt, og frams\u00f6gn hans bar af, hvert or\u00f0 heyr\u00f0ist um allan sal. \u00deorsteini tekst a\u00f0 vekja sam\u00fa\u00f0 me\u00f0 gamla manninum. Eftirsj\u00e1 hans, vonbrig\u00f0i og l\u00f6ngun n\u00edsta merg og bein. \u00d6llu \u00feessu tekst \u00deorsteini a\u00f0 koma til skila.<\/p>\n
Engu a\u00f0 s\u00ed\u00f0ur er \u00e9g ekki s\u00e1tt vi\u00f0 endi verksins, sem er ekki s\u00f6k \u00deorsteins heldur h\u00f6funda. Gamli ma\u00f0urinn er l\u00e1tinn leggjast \u00e1 b\u00e6n og bi\u00f0ja gu\u00f0 um miskunn. Og \u00fear me\u00f0 fellur tjaldi\u00f0. B\u00e6ninni er \u00f3svara\u00f0. Heldur dauflegur endir, meira \u00ed \u00e6tt vi\u00f0 kritnibo\u00f0, sem er ekki beint \u00ed anda verksins. Hugmyndir Goethes voru miklu r\u00f3tt\u00e6kari. Stundin er a\u00f0 renna upp. Hli\u00f0 helv\u00edtis opnast og gamli ma\u00f0urinn \u00e1 engrar undankomu au\u00f0i\u00f0. Hann brennur \u00ed logum v\u00edtis og \u00feannig endar l\u00edf hans. M\u00e9r hef\u00f0i fundist \u00fea\u00f0 r\u00f6kr\u00e9tt framhald og endir \u00e1 magn\u00ferunginni s\u00fdningu. \u00dea\u00f0 er einum of billeg lausn a\u00f0 l\u00e1ta sj\u00e1lfan Faustus leita athvarfs hj\u00e1 Gunnari \u00ed Krossinum.<\/p>\n
S\u00fdningin var magn\u00ferungin ekki s\u00edst fyrir beitingu lj\u00f3sa, rimla, neta og hengil\u00e1sa, sem hvirflu\u00f0ust um salinn og brutu ni\u00f0ur hin hef\u00f0bundnu m\u00f6rk leikh\u00fassins. Leikendur \u00e6ddu um hvolfi\u00f0 yfir h\u00f6f\u00f0um okkar, dunku\u00f0u \u00ed neti\u00f0 eins og skotnar g\u00e6sir e\u00f0a eins og p\u00fakar \u00e1 fj\u00f3sbita. \u00dea\u00f0 hef\u00f0i m\u00e1tt halda, a\u00f0 \u00feeir v\u00e6ru allir ballettdansarar e\u00f0a hef\u00f0u unni\u00f0 \u00ed sirkus fr\u00e1 barnsaldri. \u00dearna voru \u00ed h\u00f3pnum a\u00f0 v\u00edsu tveir \u00ed\u00fer\u00f3ttamenn, sem s\u00fdndu fram\u00farskarandi fimi, \u00feau Svava Bj\u00f6rg \u00d6rlygsd\u00f3ttir og J\u00f3hannes N\u00edels Sigur\u00f0sson.<\/p>\n
\u00dea\u00f0 er ekki h\u00e6gt a\u00f0 lj\u00faka \u00feessum pistli um Faust \u00ed Borgarleikh\u00fasinu \u00e1n \u00feess a\u00f0 fara or\u00f0um um umger\u00f0ina alla, a\u00f0b\u00fana\u00f0inn, b\u00faninga, hlj\u00f3\u00f0 og l\u00fdsingu. Manni skilst, a\u00f0 \u00fea\u00f0 s\u00e9 anna\u00f0 leikrit \u00ed gangi baksvi\u00f0s, \u00fear sem svi\u00f0smenn leika \u00ed myrkrinu \u00e1 m\u00f3ti leikurunum og sj\u00e1 um, a\u00f0 ekkert fari \u00farskei\u00f0is. \u00dea\u00f0 er ekki l\u00edti\u00f0 traust, sem \u00feeim er s\u00fdnt vi\u00f0 \u00feessar a\u00f0st\u00e6\u00f0ur. Og ekkert klikka\u00f0i \u00e1 frums\u00fdningu. Allt rann hn\u00f6kralaust, jafnvel lj\u00faflega.<\/p>\n
Leikmynd Axels Hallkels er eins konar framhald af netinu \u00ed lofti a\u00f0alsalar. Neti\u00f0 afmarkar h\u00e6lisveggina, svart myrkri\u00f0 a\u00f0 baki \u00edtrekar einangrunina og innilokun h\u00e6lisf\u00f3lksins. Gluggarnir standa h\u00e1tt, fangelsi. L\u00fdsing \u00de\u00f3r\u00f0ar Orra er \u00f3skiljanlegt v\u00edravirki og n\u00e6r inn \u00ed hvern kr\u00f3k og kima \u00e1n \u00feess a\u00f0 vera yfir\u00feyrmandi. Filipp\u00eda hefur b\u00faninga ellinnar gr\u00e1a og hversdagslega eins og vera ber, en Dj\u00f6fullinn og fylgdarli\u00f0 hans kl\u00e6\u00f0ast skartkl\u00e6\u00f0um \u00ed anda p\u00f6nkara og annarra stertimenna. Leikgervin eru fr\u00e1b\u00e6r og \u00e1 Sigr\u00ed\u00f0ur R\u00f3sa hr\u00f3s skili\u00f0 fyrir karaktera s\u00edna. \u00c9g hef\u00f0i vilja\u00f0 sitja n\u00e6r svi\u00f0inu til a\u00f0 geta s\u00e9\u00f0 betur framan \u00ed leikendur. \u00dea\u00f0 hef\u00f0i gefi\u00f0 verkinu n\u00fdja d\u00fdpt, er \u00e9g viss um.<\/p>\n
Og ekki m\u00e1 gleyma t\u00f3nlistinni, sem var samin s\u00e9rstaklega fyrir \u00feessa uppf\u00e6rslu, a\u00f0 m\u00e9r skilst. T\u00f3nlist sem uppfylling e\u00f0a til \u00e1herslu hefur nokkra s\u00e9rst\u00f6\u00f0u. H\u00fan m\u00e1 ekki vera of yfir\u00feyrmandi, stela sj\u00f3inu, en h\u00fan m\u00e1 heldur ekki fletjast \u00fat undir verkinu. Sumum snillingum tekst a\u00f0 \u00fer\u00e6\u00f0a \u00feennan milliveg. Nick Cave og Warren Ellins (sem \u00e9g \u00feekki hvorugan) eru auglj\u00f3slega \u00ed \u00feeim h\u00f3pi. Hva\u00f0 eftir anna\u00f0 rann kalt vatn milli skinns og h\u00f6runds, T\u00f3narnir fylgdu or\u00f0unum, g\u00e1fu \u00feeim \u00f3v\u00e6nt v\u00e6gi og \u00f6rvu\u00f0u \u00edmyndunarafl nj\u00f3tenda.<\/p>\n
\u00dea\u00f0 var ekki anna\u00f0 a\u00f0 heyra \u00ed g\u00e6rkv\u00f6ldi en a\u00f0 Faust undir stj\u00f3rn G\u00edsla Arnar Gar\u00f0arssonar hef\u00f0i algerlega slegi\u00f0 \u00ed gegn. Meirihluti \u00e1horfenda var ungt f\u00f3lk, og s\u00fdningu var ekki fyrr loki\u00f0 en allir vi\u00f0staddir st\u00f3\u00f0u upp og k\u00f6llu\u00f0u leikara fram hva\u00f0 eftir anna\u00f0. \u00dea\u00f0 var enn gle\u00f0iglampi \u00ed augum, \u00fear sem gestir streymdu \u00fat \u00ed n\u00fd\u00e1rssuddann, \u00f6gn dasa\u00f0ir eftir spennu og tilhl\u00f6kkun kv\u00f6ldsins.<\/p>\n
\u00deetta var geggju\u00f0 flott s\u00fdning, eins og gelgjan sag\u00f0i. Og hva\u00f0 vilji\u00f0 \u00fei\u00f0 meira?<\/p>","protected":false},"excerpt":{"rendered":"
FAUST, leikverki\u00f0 er byggt \u00e1 sk\u00e1lverki Goethes.
\nFrums\u00fdnt \u00ed Borgarleikh\u00fasinu 15. jan\u00faar 2010<\/p>\n
H\u00f6fundar:
\nBj\u00f6rn Hlynur Haraldsson
\nG\u00edsli \u00d6rn Gar\u00f0arsson
\nN\u00edna D\u00f6gg Filippusd\u00f3ttir
\nV\u00edkingur Kristj\u00e1nsson og Carl Grose<\/p>\n
Leikstj\u00f3ri: G\u00edsli \u00d6rn Gar\u00f0arsson
\nLeikmynd: Axel Hallkell J\u00f3hannesson
\nB\u00faningar: Filipp\u00eda El\u00edsd\u00f3ttir
\nL\u00fdsing: \u00de\u00f3\u00f0\u00f0ur Orri P\u00e9tursson
\nHlj\u00f3\u00f0mynd: Thorbj\u00f6rn Knudsen og Frank Hall
\nLeikgervi: Sigr\u00ed\u00f0ur R\u00f3sa Bjarnad\u00f3tti<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,3],"tags":[],"class_list":["post-154","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-leikhus"],"_links":{"self":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/comments?post=154"}],"version-history":[{"count":3,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/154\/revisions"}],"predecessor-version":[{"id":595,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/154\/revisions\/595"}],"wp:attachment":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/media?parent=154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/categories?post=154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/tags?post=154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}