Lorca \u2013 listask\u00e1ldi\u00f0 sp\u00e6nska \u2013 er undrabarn lj\u00f3\u00f0sins. Inns\u00e6i hans \u00ed mannlegt e\u00f0li er gegnuml\u00fdsandi. Lj\u00f3\u00f0m\u00e1l hans er t\u00f6fraver\u00f6ld \u00fat af fyrir sig. Framan af stuttum ferli var\u00f0 \u00feetta innbl\u00e1sna lj\u00f3\u00f0sk\u00e1ld beinl\u00ednis til trafala fyrir leikritasmi\u00f0inn, Lorca. Hann var hr\u00f3pa\u00f0ur ni\u00f0ur \u00e1 fyrstu s\u00fdningu, sem hann efndi til, kornungur, \u00ed Madrid. Og ef \u00feeir hef\u00f0u myrt hann \u00fer\u00edtugan, l\u00e6gi hann sennilega enn, gleymdur og grafinn, \u00ed \u00f3\u00feekktri fj\u00f6ldagr\u00f6f. En \u00e1 seinasta \u00e1ratug \u00e6vinnar f\u00e9kk n\u00e1\u00f0arg\u00e1fan a\u00f0 bl\u00f3mstra \u2013 allt gekk upp. Hugmyndaau\u00f0gin var \u00f3t\u00e6mandi. Lj\u00f3\u00f0aperlurnar glitru\u00f0u eins og flugeldas\u00fdning \u00e1 n\u00e6turhimni. Svi\u00f0sverkin \u2013 \u00feessi voldugu pr\u00f3salj\u00f3\u00f0 um mennska tilveru \u2013 gegnuml\u00fdstu t\u00ed\u00f0arandann.<\/p>\n\n\n\n\n\n
\u00deegar \u00feeir myrtu hann \u2013 \u00ferj\u00e1t\u00edu og \u00e1tta \u00e1ra a\u00f0 aldri \u2013 og huslu\u00f0u \u00ed \u00f3merktri gr\u00f6f vi\u00f0 vegkantinn, haf\u00f0i hann n\u00e1\u00f0 \u00fev\u00ed a\u00f0 reisa s\u00e9r \u00f3forgengilegan minnisvar\u00f0a \u00ed verkum s\u00ednum. Hann var uppreisnarma\u00f0ur \u00ed l\u00edfinu. Dau\u00f0ur og grafinn r\u00eds hann upp, endurf\u00e6ddur, og storkar fjendum s\u00ednum \u00fat yfir gr\u00f6f og dau\u00f0a. H\u00fas Bernh\u00f6r\u00f0u Alba, sem Borgarleikh\u00fasi\u00f0 s\u00fdnir undir leikstj\u00f3rn Krist\u00ednar J\u00f3hannesd\u00f3ttur, er seinasta meistaraverk ofurhugans.<\/p>\n
Upp \u00far hva\u00f0a jar\u00f0vegi er Lorca sprotinn? \u00deorpi\u00f0, \u00fear sem hann sleit barnssk\u00f3num, dregur nafn sitt af brunni k\u00faasmalanna (Fuente de Vaqueros<\/i>), snautlegur \u00fatn\u00e1ri \u00e1 h\u00e1sl\u00e9ttunni vestan vi\u00f0 Granada. Fa\u00f0ir hans var r\u00edkur landeigandi og tilheyr\u00f0i \u00fev\u00ed hinu \u00fer\u00edeina drottnunarvaldi sp\u00e6nsku yfirst\u00e9ttarinnar: Landeigendum, her og kirkju<\/i>. \u00der\u00e6larnir, sem unnu \u00e1 \u00f6krunum, sk\u00f3pu au\u00f0inn. Herinn s\u00e1 um a\u00f0 halda l\u00fd\u00f0num ni\u00f0ri og verja forr\u00e9ttindast\u00e9ttina. Kirkjan \u00f3l upp l\u00fd\u00f0inn \u00ed gu\u00f0s\u00f3tta og g\u00f3\u00f0um si\u00f0um (\u00ed b\u00f3kstaflegum skilningi, \u00fev\u00ed a\u00f0 h\u00fan \u2013 en ekki r\u00edki\u00f0 \u2013 rak sk\u00f3lana og s\u00e1 um a\u00f0 vi\u00f0halda \u00f3l\u00e6si hinna snau\u00f0u). Hj\u00e1lpr\u00e6\u00f0i\u00f0 \u00e1tti a\u00f0 felast \u00ed au\u00f0sveipni vi\u00f0 valdi\u00f0.<\/p>\n
Kirkjan bo\u00f0a\u00f0i, a\u00f0 \u00feeir sem s\u00e6ttu sig vi\u00f0 hlutskipti sitt, eymdina og vol\u00e6\u00f0i\u00f0 \u00ed hinum jar\u00f0neska t\u00e1radal, fengju umbun hj\u00e1 gu\u00f0i \u00e1 himnum \u2013 hallel\u00faja. \u00deessi bernska tr\u00fa var\u00f0 athvarf og s\u00e1luhj\u00e1lp kvennanna. \u00de\u00e6r fylltu kirkjurnar, me\u00f0an karlarnir s\u00e1tu a\u00f0 sumbli \u00e1 kr\u00e1num. En k\u00fagunin gekk yfir b\u00e6\u00f0i kyn. Landeigendur h\u00e9ldu i\u00f0ulega \u00fati sj\u00e1lfir vopnu\u00f0um \u00f3aldarflokkum, sem b\u00f6r\u00f0u \u00fer\u00e6lana til hl\u00fd\u00f0ni. \u00deegar hungri\u00f0 svarf a\u00f0 og hinir landlausu risu upp, kom herinn til bjargar. Kirkjan blessa\u00f0i s\u00ed\u00f0an ofbeldi\u00f0 \u00ed nafni gu\u00f0s.<\/p>\n
\u00deetta er arfleif\u00f0 sk\u00e1ldsins \u2013 jar\u00f0vegurinn sem hann er sprottinn upp \u00far. Sem sonur hins r\u00edka landeiganda var \u00feess v\u00e6nst, a\u00f0 hann h\u00e9ldi uppi merki \u00e6ttarinnar, l\u00e6r\u00f0i l\u00f6g (sem hann reyndi), gengi \u00ed \u00fej\u00f3nustu valdsins og hj\u00e1lpa\u00f0i til vi\u00f0 a\u00f0 vi\u00f0halda \u00f3breyttu \u00e1standi. En hann reyndist snemma \u00f3st\u00fdril\u00e1tur og me\u00f0 sterka r\u00e9ttl\u00e6tiskennd. B\u00f6rn berf\u00e6tlinganna ur\u00f0u vinir hans og skj\u00f3lst\u00e6\u00f0ingar. Hann var\u00f0 uppnuminn af l\u00edfsreynslus\u00f6gum \u00feeirra og tungutaki. Hann heilla\u00f0ist af t\u00f3nlist s\u00edgaunanna, sem fer\u00f0u\u00f0ust \u00far einum sta\u00f0 \u00ed annan, me\u00f0 g\u00edtarinn s\u00e9r til halds og trausts. Hann \u00e6tla\u00f0i a\u00f0 ver\u00f0a t\u00f3nsk\u00e1ld, eins og \u00feeir, \u00feegar hann yr\u00f0i st\u00f3r. Brj\u00f3tast \u00fat \u00far vi\u00f0jum fort\u00ed\u00f0ar og hef\u00f0a \u2013 ver\u00f0a frj\u00e1ls.<\/p>\n
\u00dea\u00f0 f\u00f3r a\u00f0 v\u00edsu \u00e1 annan veg. Engu a\u00f0 s\u00ed\u00f0ur er \u00fea\u00f0 lj\u00f3\u00f0sk\u00e1ldinu Lorca \u2013 og vini hans, Manuel de Falla \u2013 a\u00f0 \u00feakka, a\u00f0 flamenco, t\u00f3nlist al\u00fe\u00fd\u00f0unnar, hefur \u00f6\u00f0last n\u00fdjan sess \u00ed hugum og hj\u00f6rtum Andal\u00fas\u00edub\u00faa \u2013 og reyndar um allan heim. \u00deeir f\u00e9lagar gr\u00f3fu upp g\u00f6mul og gleymd munnm\u00e6lalj\u00f3\u00f0, skipul\u00f6g\u00f0u t\u00f3nleika, k\u00f6llu\u00f0u til s\u00f6ngvara, hlj\u00f3\u00f0f\u00e6raleikara og dansara, og fer\u00f0u\u00f0ust v\u00edtt og breitt um landi\u00f0. \u00dea\u00f0 var\u00f0 vakning. Grasr\u00f3tarmenningin \u00f3x eins og \u00f3l\u00edfutr\u00e9\u00f0 upp \u00far \u00feurrum jar\u00f0veginum \u2013 og bar \u00e1v\u00f6xt. T\u00f3nlistin gaf erfi\u00f0isvinnumanninum frelsi, vir\u00f0ingu og sj\u00e1lfstraust. Hann braut af s\u00e9r hlekki k\u00fagunarinnar.<\/p>\n
H\u00fas Bernh\u00f6r\u00f0u Alba er t\u00e1knmynd fyrir \u00feetta grimmilega st\u00e9ttskipta \u00fej\u00f3\u00f0f\u00e9lag, sem Lorca elst upp \u00ed. H\u00f6ll landeigandans er virki yfirst\u00e9ttar, sem er umseti\u00f0 \u00f6reigal\u00fd\u00f0, sem \u00fearf a\u00f0 halda ni\u00f0ri me\u00f0 valdi. \u00c1 ytra bor\u00f0i er allt sl\u00e9tt og fellt. S\u00fdndarmennskan r\u00e6\u00f0ur l\u00f6gum og lofum. \u00de\u00f3tt si\u00f0avendni r\u00e9tttr\u00fana\u00f0arins \u00e6tli allt a\u00f0 k\u00e6fa hi\u00f0 innra, ber a\u00f0 l\u00e1ta eins og allt s\u00e9 me\u00f0 kyrrum kj\u00f6rum. Afneitun raunveruleikans birtist sem hr\u00e6sni, helgislepja, s\u00fdndarmennska. L\u00f6gm\u00e1li\u00f0 er \u00fe\u00f6ggun. \u201e\u00de\u00f6gn\u201c \u2013 hr\u00f3par Bernhar\u00f0a yfir salinn \u00ed lokin.<\/p>\n
Hvernig \u00e1 a\u00f0 koma \u00feessu verki til skila vi\u00f0 \u00edslenska \u00e1horfendur? \u00de\u00f3tt vi\u00f0 eigum a\u00f0 heita L\u00fatherstr\u00faar a\u00f0 nafninu til, erum vi\u00f0 l\u00f6ngu gengin af tr\u00fanni. Kirkjan er bara partur af f\u00e9lagsm\u00e1lastofnun r\u00edkisins. Og \u00fe\u00f3tt vi\u00f0 f\u00f6rum me\u00f0 fa\u00f0irvori\u00f0 vi\u00f0 \u00fatf\u00f6rina, er \u00fea\u00f0 bara ritual. Tr\u00faarhitinn er kulna\u00f0ur. Hverra kosta er \u00fe\u00e1 v\u00f6l? Einn er s\u00e1 a\u00f0 halda sig vi\u00f0 texta sk\u00e1ldsins og afhj\u00fapun hans \u00e1 hr\u00e6sni hins heittr\u00faa\u00f0a sp\u00e6nska umhverfis. Annar er s\u00e1 a\u00f0 \u00ferengja svi\u00f0i\u00f0 og l\u00e1ta verki\u00f0 eing\u00f6ngu sn\u00faast um undirokun konunnar af v\u00f6ldum fe\u00f0raveldisins \u2013 karlmannsins. \u00deetta er s\u00fa lei\u00f0 sem leikstj\u00f3rinn velur. Og reynir s\u00ed\u00f0an a\u00f0 f\u00e6ra verki\u00f0 n\u00e6r samt\u00edmanum, me\u00f0 \u00fev\u00ed a\u00f0 tefla fram fem\u00edn\u00edskum bar\u00e1ttukonum gegn r\u00e9tttr\u00fana\u00f0i M\u00fahame\u00f0s og r\u00e9tttr\u00fana\u00f0arkirkju hinnar hef\u00f0bundnu r\u00fassnesku har\u00f0stj\u00f3rnar.<\/p>\n
Krist\u00edn gengur meira a\u00f0 segja svo langt a\u00f0 karlkenna h\u00fasfreyjuna sj\u00e1lfa. \u00cd sj\u00f3nvarpinu \u00ed vikunni \u00fatsk\u00fdr\u00f0i h\u00fan \u00feessa \u00e1kv\u00f6r\u00f0un s\u00edna me\u00f0 \u00fev\u00ed, \u201ea\u00f0 engin \u00edslensk leikkona g\u00e6ti leiki\u00f0 hana; \u00fe\u00e6r hef\u00f0u ekki \u00ed s\u00e9r sl\u00edka illsku\u201c. Mikil er tr\u00fa \u00fe\u00edn, kona! Konur b\u00faa ekki yfir minni illsku en karlar, \u00fea\u00f0 leyfi \u00e9g m\u00e9r a\u00f0 fullyr\u00f0a. \u00de\u00e6r kunna bara a\u00f0 fela hana, lj\u00fafar \u00e1 yfirbor\u00f0inu en heiftr\u00e6knar og lymskufullar undir ni\u00f0ri. Er ekki oft flag\u00f0 undir f\u00f6gru skinni? \u00deannig konu hef\u00f0i \u00e9g s\u00e9\u00f0 fyrir m\u00e9r \u00ed hlutverki Bernh\u00f6r\u00f0u. Me\u00f0 \u00fev\u00ed a\u00f0 karlgera Bernh\u00f6r\u00f0u, breytir h\u00fan verkinu \u00ed eins konar \u00faltrafem\u00edn\u00edska nornakvi\u00f0u. Karlkyni\u00f0 er \u00f3vinurinn. Karlma\u00f0urinn situr um virki\u00f0 utan dyra og \u00f3gnar tilvist \u00feess. Ekki beint \u00fea\u00f0 sem Lorca l\u00e1 \u00e1 hjarta.<\/p>\n
\u00devers\u00f6gnin felst l\u00edka \u00ed \u00fev\u00ed, a\u00f0 \u00ed einangrun sinni innan virkism\u00fara \u00fer\u00e1 allar \u00feessar konur ekkert heitara en a\u00f0 ver\u00f0a umluknar karlmanns\u00f6rmum! \u00c1herslan er \u00e1 kynsvelti og kyn\u00f3ra. Re\u00f0urt\u00e1kni\u00f0 birtist \u00ed upphafi leiks, gra\u00f0folinn hamast utan dyra, \u00feannig a\u00f0 bylmingsh\u00f6gg hans vekja kvenf\u00f3lkinu n\u00edstandi s\u00e6luhroll.<\/p>\n
\u00c1sts\u00fdki systranna sundrar samst\u00f6\u00f0u \u00feeirra, k\u00fagunin og kvalr\u00e6\u00f0i\u00f0 gerir \u00fe\u00e6r lj\u00f3tar, vekja upp afbr\u00fd\u00f0i og innbyr\u00f0is hatur \u2013 \u00fer\u00e1tt fyrir \u00e1minningar S\u00edmonu de Beauvoir um samst\u00f6\u00f0u kvenna. (H\u00fan dettur \u00f3v\u00e6nt inn \u00ed s\u00fdninguna n\u00fdkomin af Select \u00e1 Montparnasse, haf\u00f0i m.a.s.gleymt a\u00f0 sl\u00f6kkva \u00e1 s\u00edgarettunni) \u201eSt\u00f6ndum saman, systur\u201c, hr\u00f3par h\u00fan. (\u00dea\u00f0 var r\u00e9tt hj\u00e1 vinnukonunni, ma\u00f0ur h\u00e9lt, a\u00f0 \u00fearna v\u00e6ri lifandi komin Eva Peron. En hvernig \u00e1tti l\u00edka vinnukonan a\u00f0 \u00feekkja S\u00edmonu, \u00f3l\u00e6s og \u00f3skrifandi?).<\/p>\n
\u201eSt\u00f6ndum saman, systur\u201c! J\u00e1, erum vi\u00f0 ekki a\u00f0 reyna \u00fea\u00f0? En hva\u00f0 er a\u00f0 gerast \u00ed hinum samhenta systrah\u00f3pi \u00ed h\u00fasi Bernh\u00f6r\u00f0u Alba? Innst inni elska systurnar kannski hver a\u00f0ra, en illskan n\u00e6r \u00e6 sterkari t\u00f6kum \u00e1 \u00feeim, eftir \u00fev\u00ed sem l\u00f6ngunin til a\u00f0 l\u00e1ta ser\u00f0a sig ver\u00f0ur sterkari. \u00de\u00e6r breytast \u00ed einstaklinga, sem hver hugsar um sig og ekkert anna\u00f0 kemst a\u00f0. Og \u00fea\u00f0 br\u00fdst \u00fat str\u00ed\u00f0, systra\u00feeli\u00f0 kulnar og samsta\u00f0an fr\u00fds. K\u00e6rleikur umhverfist \u00ed hatur. \u00deannig er \u00fea\u00f0 bara \u00ed l\u00edfinu. Vi\u00f0 upplifum \u00fea\u00f0 \u00ed sj\u00e1lfum okkur, \u00fdmist sem f\u00f3rnarl\u00f6mb e\u00f0a gerendur.<\/p>\n
Systurnar eru \u00ed raun rei\u00f0ub\u00fanar a\u00f0 taka \u00f6rl\u00f6gum s\u00ednum, \u00fea\u00f0 er bara \u00feessi \u00f3s\u00fdnilegi elskhugi elstu systurinnar sem kemur \u00feeim \u00far jafnv\u00e6gi \u2013 og vekur me\u00f0 \u00feeim \u00f3r\u00e6\u00f0ar kenndir. Yngsta systirin, Adela (hinn frj\u00e1lsi andi) er \u00ed rauninni s\u00fa eina, sem er rei\u00f0ub\u00fain a\u00f0 brj\u00f3tast \u00fat \u00far h\u00fd\u00f0inu og \u00f3hl\u00fd\u00f0nast m\u00f3\u00f0ur sinni. Og geldur \u00feess grimmilega. Kannski s\u00e9r Lorca sig \u00ed henni.<\/p>\n
Pussy Riot, Guerilla girls og f\u00f3rnarl\u00f6mb tal\u00edbana \u00ed Afganistan og v\u00ed\u00f0ar \u00ed Arabaheiminum \u2013j\u00fa, j\u00fa. Syrgjandi konur \u00ed b\u00farkum (Vox feminae og St\u00falknak\u00f3r Reykjav\u00edkur) vekja upp minningar um arab\u00edska vori\u00f0, sem spratt \u00fat, en f\u00f6lna\u00f0i og d\u00f3 \u00ed h\u00e9lu \u00e1 haustd\u00f6gum. Hva\u00f0 var\u00f0 um \u00f3vininn, hva\u00f0 var\u00f0 um samst\u00f6\u00f0una?<\/p>\n
Go\u00f0s\u00f6gninni um m\u00e1tt mi\u00f0lanna (fars\u00edmans og bloggheima) til a\u00f0 virkja og samh\u00e6fa and\u00f3fi\u00f0 gegn k\u00fagunarvaldinu er lyft \u00ed h\u00e6\u00f0ir undir lokin, \u00fear sem hinn svartkufla\u00f0i kvennak\u00f3r r\u00e9ttir upp blikkandi fars\u00edma sem fyrirbo\u00f0a og t\u00e1kn frelsisins.
\nBetra ef satt v\u00e6ri.<\/p>\n
Svi\u00f0smyndin er mass\u00edv umgj\u00f6r\u00f0 um \u00feessi innri \u00e1t\u00f6k og n\u00fdtir r\u00fdmi\u00f0 \u00ed botn. Gr\u00e1tt og kalt \u00e1li\u00f0 er eins og rammger\u00f0ir fangelsisveggir, sem varna hinum undiroku\u00f0u og inniloku\u00f0u \u00fatg\u00f6ngu. Dyr opnast fyrir minnstu handahreyfingu valdsins, en skella \u00ed l\u00e1s me\u00f0 \u00feungum dynk, \u00feegar \u00fej\u00e1ningarsysturnar freista \u00fatg\u00f6ngu. Innan m\u00faranna r\u00edkir \u00fer\u00fagandi andr\u00famsloft. \u00dea\u00f0 vekur hinum \u00f3fulln\u00e6g\u00f0u konum innilokunarkennd \u00ed ofurhita sp\u00e6nska sumarsins. Senan me\u00f0 tjaldi\u00f0, sem birtist upphaflega sem spennitreyja til a\u00f0 halda aftur af br\u00f3kars\u00f3tt \u00f6mmunnar, breytist s\u00ed\u00f0an \u00ed vef, \u00fear sem konurnar br\u00f3dera \u00f6rl\u00f6g s\u00edn \u00far eigin h\u00e1ri. \u00cd sta\u00f0 \u00feess a\u00f0 spinna m\u00f6nnum \u00f6rl\u00f6g, vefa \u00fe\u00e6r s\u00edna eigin spennitreyju e\u00f0a l\u00edkkl\u00e6\u00f0i.<\/p>\n
Og spuninn heldur \u00e1fram \u00ed t\u00f3nlistinni, bjartri og lj\u00f3\u00f0r\u00e6nni, \u00f3gnvekjandi \u00e1 k\u00f6flum og l\u00fdsingunni, sem minnir okkur \u00e1, a\u00f0 \u00e1n lj\u00f3ss og skugga \u00e1 r\u00e9ttum st\u00f6\u00f0um og augnablikum er leikverk eins og nakin kona \u00ed kulda og trekki. B\u00faningarnir t\u00edmalausir, r\u00e9tt eins og t\u00f3nlistin og f\u00e9llu vel a\u00f0 hugarheimi Kr\u00edst\u00ednar. S\u00f6ngurinn br\u00e1st ekki, fagur og hreinn undir stj\u00f3rn Margr\u00e9tar P\u00e1lma.<\/p>\n
\u00c9g hef alltaf s\u00e9\u00f0 Krist\u00ednu fyrir m\u00e9r sem sk\u00e1ldi\u00f0 \u00ed h\u00f3pi kvikmyndager\u00f0arf\u00f3lks. Enginn er betur til \u00feess fallinn a\u00f0 bl\u00e1sa l\u00edfi \u00ed texta Garcia Lorca. H\u00fan hefur n\u00e6mt auga fyrir myndlist, f\u00f6grum litum og formi. Og \u00feegar h\u00fan safnar um sig h\u00f3pi ungra skapandi, listr\u00e6nna og \u00ed\u00f0ilfagurra listkvenda, \u00fe\u00e1 hl\u00fdtur a\u00f0 koma eitthva\u00f0 \u00e6gifagurt \u00fat \u00far \u00fev\u00ed, sem veitir okkur gle\u00f0i. A\u00f0 \u00f6llu \u00feessu s\u00f6g\u00f0u m\u00e1 r\u00e1\u00f0a, a\u00f0 H\u00fas Bernh\u00f6r\u00f0u Alba er magna\u00f0 leikh\u00fasverk, \u00f3lgandi af l\u00edfi og lj\u00fafs\u00e1rum sk\u00e1ldskap. \u00deetta er gl\u00e6sileg s\u00fdning \u2013 afrek vi\u00f0 f\u00e1t\u00e6klegar a\u00f0st\u00e6\u00f0ur \u00ed l\u00edtlu leikh\u00fasi.<\/p>","protected":false},"excerpt":{"rendered":"
Leikrit um konur \u00ed b\u00e6jum Sp\u00e1nar
\nH\u00f6fundur: Federico Garcia Lorca<\/p>\n
\u00de\u00fd\u00f0andi: J\u00f3n Hallur Stef\u00e1nsson
\nLeikstj\u00f3ri: Krist\u00edn J\u00f3hannesd\u00f3ttir
\nLeikmynd: Brynja Bj\u00f6rnsd\u00f3ttir
\nB\u00faningar: \u00de\u00f3runn Mar\u00eda J\u00f3nsd\u00f3ttir
\nL\u00fdsing: \u00de\u00f3r\u00f0ur Orri P\u00e9tursson
\nK\u00f3rstj\u00f3rn: Margr\u00e9t J\u00f3hanna P\u00e1lmad\u00f3ttir
\nSvi\u00f0shreyfingar: Lov\u00edsa \u00d3sk Gunnarsd\u00f3ttir
\nHlj\u00f3\u00f0: \u00d3lafur \u00d6rn Thoroddsen
\nLekgervi: \u00c1sd\u00eds Bjarn\u00fe\u00f3rsd\u00f3ttir<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,3],"tags":[],"class_list":["post-164","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-leikhus"],"_links":{"self":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/comments?post=164"}],"version-history":[{"count":2,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/164\/revisions"}],"predecessor-version":[{"id":543,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/164\/revisions\/543"}],"wp:attachment":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/media?parent=164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/categories?post=164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/tags?post=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}