\u00deess vegna fannst okkur vel til fundi\u00f0 a\u00f0 \u00feiggja bo\u00f0 um a\u00f0 m\u00e6ta \u00e1 frums\u00fdningu \u00e1 Fanny og Alexander eftir meistara Bergmann \u00e1 Litla svi\u00f0inu \u00ed Borgarleikh\u00fasinu \u00ed Tartu, sem var \u00ed g\u00f6nguf\u00e6ri fr\u00e1 \u00edb\u00fa\u00f0inni okkar.<\/p>\n\n\n\n\n\n
\u00cd Tartu er reyndar allt \u00ed g\u00f6nguf\u00e6ri, h\u00e1sk\u00f3linn, fr\u00e6\u00f0asetur og ranns\u00f3knarstofnanir. Og \u00e9g tala n\u00fa ekki um t\u00f3nlistarh\u00e1sk\u00f3lann, sem er \u00ed n\u00e6stu g\u00f6tu og \u00f3m\u00fe\u00fd\u00f0an jasskl\u00fabb, \u00fea\u00f0an steinsnar fr\u00e1. Vi\u00f0 s\u00e1tum \u00e1 \u00f6\u00f0rum bekk fyrir mi\u00f0ju, og \u00e9g var fegin, a\u00f0 \u00e9g skyldi hafa haft vit \u00e1 \u00fev\u00ed a\u00f0 kl\u00e6\u00f0ast mj\u00faka gr\u00e1a silkikj\u00f3lnum, sem \u00e9g l\u00e9t eftir m\u00e9r a\u00f0 kaupa \u00ed Vilnius \u00ed fyrra. R\u00e9tt eins og heima \u00e1 \u00cdslandi voru allir \u00ed s\u00ednu f\u00ednasta p\u00fassi, en mj\u00f6g \u00ed h\u00f3fi \u00fe\u00f3 \u2013 hvorki glimmer n\u00e9 glam\u00far. \u00deannig eru Eistar einhvern veginn, h\u00f3fstilltir \u00ed \u00f6llu, berast ekki \u00e1.<\/p>\n
Leikh\u00fasi\u00f0 var byggt \u00e1ri\u00f0 sem Fyrri heimstyrj\u00f6ldin braust \u00fat. N\u00fa man enginn lengur, \u00fat af hverju \u00fea\u00f0 str\u00ed\u00f0 var. V\u00edtt og breitt um Evr\u00f3pu er veri\u00f0 a\u00f0 minnast \u00feess, a\u00f0 n\u00fa eru hundra\u00f0 \u00e1r li\u00f0in fr\u00e1 \u00feessari sl\u00e1turt\u00ed\u00f0. \u00dea\u00f0 hvarfla\u00f0i \u00e1rei\u00f0anlega ekki a\u00f0 \u00feeim, sem v\u00edg\u00f0u \u00feetta snotra leikh\u00fas \u00ed eins konar jugendst\u00edl, a\u00f0 f\u00e1einum vikum seinna yr\u00f0i gerv\u00f6ll Evr\u00f3pa heltekin af hamslausri sj\u00e1lfsey\u00f0ingarhv\u00f6t. Fr\u00e9ttirnar fr\u00e1 \u00dakra\u00ednu, sem dynja \u00e1 eyrum okkar daglega, bo\u00f0a heldur ekki gott. L\u00e6rum vi\u00f0 aldrei neitt af reynslunni?<\/p>\n
\u00c9g haf\u00f0i einhvern t\u00edma lesi\u00f0 Fanny og Alexander, s\u00e9\u00f0 sj\u00f3nvarpsser\u00eduna og uppf\u00e6rslu \u00ed leikh\u00fasum Reykjav\u00edkur. S\u00f6gu\u00fer\u00e1\u00f0urinn var \u00fev\u00ed kunnuglegur. Svipmynd af Sv\u00ed\u00fej\u00f3\u00f0 \u00e1 fyrri hluta seinustu aldar \u00ed barnsminni Ingmars Bergmann. Sagan gerist \u00e1 s\u00e6nsku sveitarsetri (herragaard). Yfirst\u00e9ttin er \u00e1hyggjulaus, skemmtanaf\u00fdkin og b\u00fdr vi\u00f0 allsn\u00e6gtir. \u00dea\u00f0 er miki\u00f0 da\u00f0ra\u00f0 og drukki\u00f0 og dufla\u00f0. Veislubor\u00f0 svigna undan kr\u00e1sum, og \u00fej\u00f3nustuf\u00f3lk \u00e1 \u00fe\u00f6num a\u00f0 \u00fe\u00f3knast yfirbo\u00f0urum s\u00ednum. B\u00f6rnin \u2013 Fanny og Alexander \u2013 \u00fati um allt, undir bor\u00f0um og inni \u00e1 gafli, me\u00f0 \u00e6rslum og l\u00e1tum. \u00deau eru agalaus dekurb\u00f6rn \u2013 frj\u00e1ls borin.<\/p>\n
Sm\u00e1m saman kemur \u00e1 daginn, a\u00f0 \u00fea\u00f0 er ekki allt sem s\u00fdnist \u00e1 herrasetrinu, eins og h\u00fasr\u00e1\u00f0endur vilja vera l\u00e1ta. H\u00fasb\u00f3ndinn haf\u00f0i komi\u00f0 s\u00e9r \u00fat \u00far h\u00fasi \u00ed leikh\u00fasinu og m\u00e1tti muna sinn f\u00edfil fegri. Einn br\u00f3\u00f0irinn b\u00fdr vi\u00f0 sitt heimilisb\u00f6l \u00ed gervi \u00fe\u00fdskrar eiginkonu. Hinn, s\u00e1 yngri – s\u00edfull bla\u00f0urskj\u00f3\u00f0a og \u00f3l\u00e1tabelgur – l\u00e6\u00f0ist til a\u00f0 r\u00ed\u00f0a vinnukonunni uppi \u00e1 hanabj\u00e1lka \u00ed veislulok. \u2013 Hann er reyndar \u00e1 eftir hverju pilsi, a\u00f0 \u00fev\u00ed er vir\u00f0ist vi\u00f0 d\u00e1g\u00f3\u00f0ar undirtektir. \u2013 \u00deetta eru skrautlegir karakterar, sem nj\u00f3ta gle\u00f0innar, me\u00f0an h\u00fan endist, en drekkja sorgum s\u00ednum bak vi\u00f0 birg\u00f0ar dyr.<\/p>\n
Svo kn\u00fdr dau\u00f0inn dyra. Vi\u00f0 \u00fatf\u00f6rina f\u00e6r sj\u00e1lfur biskupinn \u2013 vammlaus vi\u00f0 fyrstu s\u00fdn og strangtr\u00faa\u00f0ur \u2013 augasta\u00f0 \u00e1 ekkjunni. Ekkjan l\u00e6tur til lei\u00f0ast og flyst me\u00f0 b\u00f6rnum s\u00ednum \u2013 Fanny og Alexander \u2013 \u00e1 prestssetri\u00f0. \u00dea\u00f0 reynist vera typtunarh\u00fas tr\u00faarofst\u00e6kis og si\u00f0avendni, \u00fear sem hinn frj\u00e1lsborni Alexander er kagh\u00fdddur til hl\u00fd\u00f0ni vi\u00f0 r\u00e9tttr\u00fana\u00f0 hr\u00e6sninnar.<\/p>\n
\u00dearna \u00ed Borgarleikh\u00fasi Tartuborgar s\u00e1 \u00e9g allt \u00ed einu \u00feetta meistaraverk Bergmanns \u00ed alveg n\u00fdju lj\u00f3si. Leikstj\u00f3rar falla oftast \u00ed \u00fe\u00e1 freistni a\u00f0 gleyma s\u00e9r \u00ed veisluglaumnum og part\u00edgle\u00f0inni, sem er svo truflu\u00f0 um stund me\u00f0 \u00f3skiljanlegum og \u00f3\u00fearfa lei\u00f0indum si\u00f0apostulanna. Kjarni verksins fer \u00fev\u00ed alveg forg\u00f6r\u00f0um. Sj\u00e1lfur gu\u00f0sma\u00f0urinn er b\u00e6\u00f0i grimmur og hatursfullur \u00ed e\u00f0li s\u00ednu og skilur ekki samhengi or\u00f0a sinna og gj\u00f6r\u00f0a. Drengurinn, Alexander, er skynsemisvera og neitar a\u00f0 taka b\u00f3kstafinn tr\u00faanlegan, gagnr\u00fdnislaust. Fyrir \u00fea\u00f0 ber a\u00f0 refsa honum. En hann neitar a\u00f0 beygja sig. Neitar a\u00f0 hl\u00fd\u00f0a.<\/p>\n
\u00deetta er uppgj\u00f6r Bergmanns vi\u00f0 s\u00edna eigin fort\u00ed\u00f0. \u00dev\u00ed a\u00f0 ef si\u00f0apostulanum hef\u00f0i tekist a\u00f0 k\u00faga hann til hl\u00fd\u00f0ni, hver hef\u00f0u hans \u00f6rl\u00f6g or\u00f0i\u00f0 \u00ed samf\u00e9lagi, \u00fear sem tr\u00faarofst\u00e6ki\u00f0 og helgislepjan draup af hvers manns v\u00f6rum? \u00de\u00e1 v\u00e6rum vi\u00f0 hin f\u00e1t\u00e6kari fyrir viki\u00f0 og hef\u00f0um aldrei eignast kvikmyndir \u00e1 bor\u00f0 vi\u00f0 Sj\u00f6unda innsigli\u00f0, Tystnaden og \u00f6nnur snilldarverk Bergmanns.<\/p>\n
Me\u00f0 fr\u00e1b\u00e6rum leik allra sem hlut \u00e1ttu a\u00f0 m\u00e1li \u2013 \u00fear me\u00f0 tali\u00f0 barnanna – var \u00feetta \u00f3mennska tukth\u00fas hr\u00e6sninnar afhj\u00fapa\u00f0 \u00e1 miskunnarlausan og \u00f3hugnanlegan h\u00e1tt. \u00deetta var eftirminnileg stund \u2013 \u00f3gleymanlegt teater \u2013 sem situr lengi eftir \u00ed minningunni.<\/p>\n
Gy\u00f0ingakaupma\u00f0urinn \u2013 aldavinar fr\u00faarinnar \u00e1 hef\u00f0arsetrinu \u2013 sem frelsa\u00f0i b\u00f6rnin \u00far pr\u00edsund hr\u00e6sninnar, skila\u00f0i \u00feessu litla hlutverki me\u00f0 \u00fev\u00edl\u00edkum til\u00ferifum, a\u00f0 betur ver\u00f0ur naumast gert. Enda einn af \u00feekktustu leikurum Eista. Sama m\u00e1li gegndi um frammist\u00f6\u00f0u allra hinna, hvort heldur \u00feeir voru \u00ed a\u00f0alhlutverkum, e\u00f0a \u00ed minni hlutverkum, eins og til d\u00e6mis s\u00fa, sem l\u00e9k vinnukonuna vi\u00f0m\u00f3ts\u00fe\u00fd\u00f0u og skila\u00f0i n\u00fdju barni \u00ed fallvalta ver\u00f6ld a\u00f0alssetursins.<\/p>\n
Og n\u00fa \u00feegar \u00e9g er l\u00f6ngu b\u00fain a\u00f0 kve\u00f0ja Tartu og komin \u00e1 allt annan sta\u00f0 \u00ed tilverunni, \u00fe\u00e1 er eins og \u00feetta verk Bergmanns haldi \u00e1fram a\u00f0 s\u00e6kja \u00e1 mig \u2013 e\u00f0a \u00f6llu heldur \u00feessi uppf\u00e6rsla \u00ed borgarleikh\u00fasinu \u00ed Tartu. \u00cd fj\u00f3rar langar klukkustundir sat \u00e9g og gr\u00e9t og hl\u00f3 og klappa\u00f0i saman l\u00f3funum \u00ed takt vi\u00f0 heimamenn, sem allir skildu \u00fea\u00f0 sem sagt var \u00e1 svi\u00f0inu. Vi\u00f0 skildum ekki or\u00f0, en \u00fea\u00f0 kom ekki a\u00f0 s\u00f6k, \u00fev\u00ed a\u00f0 leikararnir notu\u00f0u ekki bara or\u00f0in til a\u00f0 tj\u00e1 sig, heldur allan l\u00edkamann. Augun, hendurnar, jafnvel f\u00e6turna, hver hreyfing tala\u00f0i til okkar \u00fat \u00ed salinn, og l\u00fdsti \u00fdmist angist, rei\u00f0i, hatri, \u00e1st e\u00f0a eftirgj\u00f6f.<\/p>\n
\u00deetta var eitthva\u00f0 sem \u00e9g haf\u00f0i aldrei upplifa\u00f0 \u00e1\u00f0ur \u00ed leikh\u00fasum okkar t\u00edma \u00ed Evr\u00f3pu, en haf\u00f0i lesi\u00f0 um, \u00feegar \u00e9g var leiklistarnemandi vi\u00f0 \u00dej\u00f3\u00f0leikh\u00fasi\u00f0 for\u00f0um daga. Hann h\u00e9t Kostant\u00edn Stanislavski, og var R\u00fassi, au\u00f0vita\u00f0. Leikh\u00fasstj\u00f3ri vi\u00f0 eitt helsta leikh\u00fas Moskvu (Moscow Art Theater) \u00e1 millistr\u00ed\u00f0s\u00e1runum og haf\u00f0i g\u00edfurleg \u00e1hrif, ekki bara \u00ed eigin landi, heldur um allan heim. \u00cd leikh\u00fasinu gilda engin l\u00e1tal\u00e6ti, sag\u00f0i hann. Anna\u00f0 hvort gefur \u00fe\u00fa \u00feig allan \u00ed verkefni\u00f0, e\u00f0a fer\u00f0 heim og kemur aldrei aftur. \u00de\u00fa setur \u00feig \u00ed spor \u00feeirrar pers\u00f3nu, sem \u00fe\u00fa ert a\u00f0 t\u00falka \u00e1 svi\u00f0inu, hugsar eins og h\u00fan, ERT h\u00fan \u2013 e\u00f0a finnur \u00fe\u00e9r anna\u00f0 starf.<\/p>\n
Og \u00feetta kv\u00f6ld \u00ed leikh\u00fasinu \u00ed Tartu ver\u00f0ur m\u00e9r \u00f3gleymanlegt, vegna \u00feess a\u00f0 \u00e9g fann fyrir Stanislavski \u00e1 eigin skinni. N\u00fa skildi \u00e9g betur en nokkru sinni, hva\u00f0 hann var a\u00f0 fara \u00e1 s\u00ednum t\u00edma. Hann \u00e1tti a\u00f0 hafa sagt, a\u00f0 hvert kv\u00f6ld \u00e1 leiksvi\u00f0inu v\u00e6ri eins og fyrsta kv\u00f6ldi\u00f0: n\u00fd upplifun, allsendis \u00f3l\u00edk upplifun g\u00e6rdagsins. V\u00e1…, \u00feetta var erfitt, \u00fev\u00ed a\u00f0 ma\u00f0ur haf\u00f0i tilhneiginu til a\u00f0 l\u00e1ta t\u00falkun frums\u00fdningar n\u00e6gja \u2013 endurtaka hana, fela sig \u00e1 bak vi\u00f0 hana, \u00e1n \u00feess a\u00f0 leggja sig allan fram \u2013 byrja upp \u00e1 n\u00fdtt \u00e1 hverju kv\u00f6ldi. Stanislavski hef\u00f0i au\u00f0vita\u00f0 gert sl\u00edkan \u201eleikara\u201c brottr\u00e6kan. Sj\u00e1lft or\u00f0i\u00f0 kemur upp um hugsunarvillu \u2013 \u00fe\u00fa \u00e1tt ekki a\u00f0 leika, \u00fe\u00fa \u00e1tt a\u00f0 VERA.<\/p>\n
\u00dea\u00f0 var gaman a\u00f0 vir\u00f0a fyrir s\u00e9r frums\u00fdningargesti. \u00dearna var samankomin menningarel\u00edta h\u00e1sk\u00f3lab\u00e6jarins, \u00ed bland vi\u00f0 n\u00fdr\u00edka bisnessmenn og s\u00e6nska peningam\u00f3g\u00fala, sem eiga og reka bankakerfi\u00f0 \u00ed Eistlandi. \u00dea\u00f0 m\u00e1tti ekki minna vera en a\u00f0 \u00feeir sponsoreru\u00f0u Bergmann, \u00feennan risa \u00ed s\u00e6nsku menningarl\u00edfi. Betri fj\u00e1rfesting er \u00e1rei\u00f0anlega vandfundin.<\/p>","protected":false},"excerpt":{"rendered":"
\u201eUppsala er best\u201c segja Sv\u00edar. H\u00e1sk\u00f3lab\u00e6rinn Tartu er Uppsalir Eista. Og meira en \u00fea\u00f0. Tartu er eiginlega s\u00e6nsk \u00ed a\u00f0ra r\u00f6ndina. \u00dea\u00f0 var Gustaf Vasa, Sv\u00edak\u00f3ngur, sem stofna\u00f0i h\u00e1sk\u00f3lann \u00fear \u00ed borg \u00e1ri\u00f0 1632. \u00dea\u00f0 var \u00e1 s\u00e6nska t\u00edmabilinu \u00ed s\u00f6gu Eista, sem st\u00f3\u00f0 upp \u00far mi\u00f0ri 16du \u00f6ld, langt fram \u00e1 \u00fe\u00e1 18du. Mi\u00f0a\u00f0 vi\u00f0 \u00feau hern\u00e1msli\u00f0, sem \u00e1 undan f\u00f3ru \u2013 \u00feeirra \u00e1 me\u00f0al Danir \u2013 og \u00e1 eftir komu \u2013 R\u00fassar \u2013 var s\u00e6nska yfirst\u00e9ttin tilt\u00f6lulega mann\u00fa\u00f0leg \u2013 jafnvel uppbyggileg og menningarlega sinnu\u00f0.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,3],"tags":[],"class_list":["post-172","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-leikhus"],"_links":{"self":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/comments?post=172"}],"version-history":[{"count":2,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/172\/revisions"}],"predecessor-version":[{"id":540,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/172\/revisions\/540"}],"wp:attachment":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/media?parent=172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/categories?post=172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/tags?post=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}