Hva\u00f0 \u00fea\u00f0 er n\u00fa \u00fe\u00e6gilegt og uppl\u00edfgandi a\u00f0 geta \u00f6\u00f0ru hverju skroppi\u00f0 \u00fat \u00far veruleikarammanum, \u00fear sem allt vir\u00f0ist vera \u00e1 heljar\u00fer\u00f6m (\u00fer\u00e1tt fyrir g\u00f3\u00f0\u00e6ri\u00f0 r\u00f3ma\u00f0a). \u00dea\u00f0 er ekki n\u00f3g me\u00f0 a\u00f0 myrkri\u00f0 gr\u00fafi yfir, hver l\u00e6g\u00f0in \u00e1 f\u00e6tur annarri leggi okkur \u00ed einelti, sl\u00edti \u00ed sundur sk\u00fdin og hreyti \u00ed okkur snj\u00f3 \u00e1 snj\u00f3 ofan \u2013 heldur er eins og sj\u00e1lft kerfi\u00f0, \u00feetta samans\u00farra\u00f0a kl\u00edkusamf\u00e9lag, sem vi\u00f0 b\u00faum \u00ed, s\u00e9 endanlega a\u00f0 kikna undan s\u00ednum eigin \u00feunga \u2013 r\u00e1\u00f0\u00ferota og \u00farr\u00e6\u00f0alaust. Er \u00fea\u00f0 nema von, a\u00f0 \u00fea\u00f0 sverfi a\u00f0 s\u00e1lart\u00f6trinu!<\/p>\n\n\n\n\n\n
\u00de\u00e1 er svo gott a\u00f0 eiga athvarf \u00ed leikh\u00fasinu \u2013 \u00fear sem allt er leyfilegt og vi\u00f0 horfumst \u00ed augu vi\u00f0 okkur sj\u00e1lf \u00ed samt\u00edmaspegli. Ma\u00f0ur gleymir stund og sta\u00f0 og tekst \u00e1 flug \u00ed fer\u00f0 me\u00f0 spunameisturum og gl\u00f6\u00f0um konum. \u201eCabaret is life\u201c var sungi\u00f0 fyrir l\u00f6ngu. \u00d3gleymanlegt! Var \u00fea\u00f0 Marlene Dietrich e\u00f0a Liza Minelli?<\/p>\n
Weimar l\u00fd\u00f0veldi\u00f0 st\u00f3\u00f0 stutt \u2013 \u00e1rin milli str\u00ed\u00f0a \u00ed \u00de\u00fdskalandi, fram a\u00f0 valdat\u00f6ku Hitlers. \u00dej\u00f3\u00f0f\u00e9lag \u00e1 heljar\u00fer\u00f6m, \u00f6rv\u00e6nting og vonleysi, allt \u00ed upplausn \u2013 en menningin bl\u00f3mstra\u00f0i sem aldrei fyrr. Kabarettinn \u2013 rev\u00edan \u2013 festi r\u00e6tur, kom til a\u00f0 vera. \u00dear er \u00f6llu sn\u00fai\u00f0 \u00e1 hvolf, h\u00e1\u00f0skur undirt\u00f3nn, h\u00e1lfkve\u00f0nar v\u00edsur, engum hl\u00edft. En \u00f6llu gamni fylgir gr\u00e1lynd alvara. Vi\u00f0 sj\u00e1um raunveruleikann \u00ed n\u00fdju lj\u00f3si \u2013 \u00feessa tragi-k\u00f3misku tilveru.<\/p>\n
El\u00edsabet J\u00f6kulsd\u00f3ttir er \u00f3venjulegt lj\u00f3\u00f0sk\u00e1ld \u2013 s\u00e6kir lj\u00f3\u00f0r\u00e6nuna til f\u00f6\u00f0ur s\u00edns og tilger\u00f0arleysi\u00f0 til m\u00f3\u00f0ur sinnar \u2013 enda voru b\u00e6\u00f0i sk\u00e1ld. H\u00fan er \u00f3venjuleg a\u00f0 \u00fev\u00ed leyti, a\u00f0 h\u00fan er einl\u00e6g, opinsk\u00e1 og bers\u00f6gul. H\u00fan \u00feorir a\u00f0 segja hluti, sem a\u00f0rir mundu ekki \u00feora fyrir sitt litla l\u00edf a\u00f0 l\u00e1ta \u00fat \u00far s\u00e9r. L\u00edklega af blyg\u00f0unarsemi. \u201eKomum a\u00f0 r\u00ed\u00f0a. Ekki a\u00f0 elskast e\u00f0a neitt. Vi\u00f0 getum gert \u00fea\u00f0 \u00ed lei\u00f0inni.<\/i>\u201c E\u00f0a \u201eA\u00f0eins \u00fe\u00fa og \u00e9g, engin helv\u00edtis fulln\u00e6ging en una\u00f0sdau\u00f0i.<\/i>\u201c Svona yrkir enginn annar. Svona \u00feorir enginn a\u00f0 yrkja. B\u00f3kin hennar Enginn dans vi\u00f0 Ufsaklett<\/b> er heil saga \u2013saga konu \u2013 \u00ed \u00f6rf\u00e1um \u00f6grandi or\u00f0um, en samt svo l\u00fdsandi \u2013 og svo r\u00e1\u00f0villt og raunaleg.<\/p>\n
Kv\u00e6\u00f0i\u00f0 fremst \u00ed leikskr\u00e1nni um \u00e1stfangna konu \u2013 sem fattar allt \u00ed einu, a\u00f0 h\u00fan er betlari \u2013 er eins konar \u00feema e\u00f0a undirt\u00f3nn s\u00fdningarinnar. \u00deessi \u00fer\u00e1 konunnar eftir a\u00f0 tilheyra einhverjum \u2013 vera elsku\u00f0 og f\u00e1 a\u00f0 elska \u2013 ver\u00f0ur svo sterk, a\u00f0 h\u00fan missir stj\u00f3rn \u00e1 s\u00e9r, hleypur \u00ed g\u00f6nur. H\u00fan er rei\u00f0ub\u00fain a\u00f0 kasta s\u00e9r \u00ed fang hvers sem er \u2013 bara til a\u00f0 f\u00e1 \u00fer\u00e1 sinni fulln\u00e6gt . H\u00fan er betlari.<\/p>\n
En hvernig \u00feeim \u00ed RaTaTaM leikflokknum datt \u00ed huga a\u00f0 kl\u00e6\u00f0a lj\u00f3\u00f0in hennar El\u00edsabetar \u00ed b\u00faning kabarettsins er undravert \u2013 reyndar fr\u00e1b\u00e6r hugmynd. Og hvernig henni Charlottu B\u00f6ving hefur tekist a\u00f0 \u00fatf\u00e6ra \u00feessa frumlegu hugmynd \u00e1 svi\u00f0i Tjarnarb\u00ed\u00f3s er \u00f3metanlegt b\u00e6\u00f0i fyrir okkur, sem unnum leiklist og hina, sem n\u00fa munu (v\u00e6ntanlega) flykkjast \u00ed Tjarnarb\u00ed\u00f3.<\/p>\n
\u00dea\u00f0 fer ekki hj\u00e1 \u00fev\u00ed, a\u00f0 Charlotta, sem er alin upp \u00ed annars konar umhverfi og annars konar leikh\u00fasi, komi me\u00f0 eitthva\u00f0 n\u00fdtt og ferskt \u00ed farteskinu inn \u00ed okkar heim. Hvernig h\u00fan spinnur saman lj\u00f3\u00f0 og liti, gaman og alv\u00f6ru, tilbrig\u00f0i \u00e1starinnar og fangbr\u00f6g\u00f0 greddunnar, heillar okkur upp \u00far sk\u00f3num og bl\u00e6s okkur l\u00edfsanda \u00e1 n\u00fd \u2013 eftir allt \u00feunglyndi\u00f0 og drungann.<\/p>\n
\u00dea\u00f0 er erfitt a\u00f0 gera upp \u00e1 milli leikaranna. \u00d6ll fj\u00f6gur, \u00feau Albert, Gu\u00f0mundur Ingi, Halld\u00f3ra Rut og Laufey eru veisla fyrir auga\u00f0, hvert \u00e1 sinn m\u00e1ta. \u00deau geisla af orku og gle\u00f0i. \u00dea\u00f0 er ekki heiglum hent a\u00f0 gera allt \u00ed senn: koma til skila lj\u00f3\u00f0r\u00e6num texta, spila \u00e1 hlj\u00f3\u00f0f\u00e6ri og sv\u00edfa \u00ed lausu lofti eins og fuglar himinsins og dansa \u00e1 \u00e6rlsafenginn og k\u00f3miskan h\u00e1tt. Tr\u00fa\u00f0sdansinn \u00e1 hnj\u00e1num var til d\u00e6mis \u00f3borganlegur. Hildur Magn\u00fasd\u00f3ttir \u00e1 aldeilis hr\u00f3s skili\u00f0 \u2013 en h\u00fan er skr\u00e1\u00f0 fyrir hreyfingum leikaranna.<\/p>\n
T\u00f3nlist Helga Svavars Helgasonar heilla\u00f0i okkur fyrirhafnarlaust strax \u00ed byrjun. Str\u00e1karnir gefa r\u00e9ttan t\u00f3n \u00e1 strengjahlj\u00f3\u00f0f\u00e6rin, og \u00f6\u00f0ru hverju breg\u00f0ur fyrir gamalkunnum stefjum \u00ed einf\u00f6ldum l\u00e1gv\u00e6rum \u00fatf\u00e6rslum.<\/p>\n
\u00de\u00f3runn Mar\u00eda J\u00f3nsd\u00f3ttir, leikmynda- og b\u00faningah\u00f6nnu\u00f0ur hefur unni\u00f0 kraftaverk. Hvort erum vi\u00f0 st\u00f6dd \u00e1 s\u00falusta\u00f0 e\u00f0a \u00ed sirkus? Ekki er allt s\u00fdnist. S\u00falurnar eru \u00fdmist leiktj\u00f6ld, gl\u00e6frastrengir loftfimleikamannsins, \u00e1starhrei\u00f0ur \u00ed \u00e1lfask\u00f3gi e\u00f0a lostfagrir kj\u00f3lar \u00e1 bordello. E\u00f0a \u00feetta allt \u00ed senn. \u00d3tr\u00faleg hugkv\u00e6mni, einf\u00f6ld umger\u00f0 fyrir endalausar uppakomur. (Fyrir utan hva\u00f0 \u00feessi hugkv\u00e6mni sparar \u00ed kostna\u00f0i vi\u00f0 svi\u00f0sb\u00fana\u00f0 fyrir f\u00e1t\u00e6ks leikh\u00f3ps RaTaTaM.!)<\/p>\n
Brilliant!<\/p>\n
\u00c9g t\u00f3k eftir \u00fev\u00ed, a\u00f0 f\u00f3lk var fremur gr\u00e1myglulegt og \u00feungbr\u00fdnt, \u00feegar \u00fea\u00f0 t\u00edndist inn \u00ed Tjarnarb\u00ed\u00f3 fyrir upphaf s\u00fdningar. En \u00e9g l\u00fdg \u00fev\u00ed ekki, a\u00f0 flest voru skrafhreifin og me\u00f0 bros \u00e1 v\u00f6r, \u00feegar \u00feau h\u00e9ldu \u00e1 brott \u2013 aftur \u00fat \u00ed myrkri\u00f0 og slydduna. \u00dea\u00f0 segir s\u00edna s\u00f6gu.<\/p>\n
P.s. \u00c9g gleymdi a\u00f0 geta lj\u00f3sameistarans, Arnars Ingvasonar, sem af kostg\u00e6fni og s\u00ednu listr\u00e6na inns\u00e6i, t\u00f3kst a\u00f0 gefa leikmyndinni meiri d\u00fdpt \u2013 og a\u00f0 beina athygli okkar a\u00f0 \u00fev\u00ed , sem mestu m\u00e1li skiptir \u2013 lit \u00e1starinnar, rau\u00f0a litnum.<\/p>","protected":false},"excerpt":{"rendered":"
Brynd\u00eds Schram fjallar um leiks\u00fdninguna Ahhh… \u00ed Tjarnarleikh\u00fasinu,
\nsem frums\u00fdnt var \u00feann 9. febr\u00faar s.l. byggt er \u00e1 textum og lj\u00f3\u00f0um El\u00edsabetar J\u00f6kulsd\u00f3ttur.<\/p>\n
Leikstj\u00f3ri: Charlotte B\u00f6ving
\nLeikmynda- og b\u00faningah\u00f6nnun:\u00de\u00f3runn Mar\u00eda J\u00f3nsd\u00f3ttir
\nT\u00f3nlistarstj\u00f3rn: Helgi Svavar Helgason
\nLj\u00f3sah\u00f6nnun: Arnar Ingvarsson
\nHreyfingar: Hildur Magn\u00fasd\u00f3ttir
\nT\u00e6knileg a\u00f0sto\u00f0: Stef\u00e1n Ingvar Vigf\u00fasson
\nLeikendur: Albert Halld\u00f3rsson Gu\u00f0mundur, Ingi \u00deorvaldsson, Halld\u00f3ra Rut Baldursd\u00f3ttir og Laufey El\u00edasd\u00f3ttir <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,3],"tags":[],"class_list":["post-219","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-leikhus"],"_links":{"self":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/comments?post=219"}],"version-history":[{"count":2,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/219\/revisions"}],"predecessor-version":[{"id":496,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/219\/revisions\/496"}],"wp:attachment":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/media?parent=219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/categories?post=219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/tags?post=219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}