Svartalogn \u2013 \u201ehimnesk kyrr\u00f0, \u00feegar fj\u00f6llin \u00feegjandalegu spegla sig \u00ed haffletinum, svo hann ver\u00f0ur svartur\u201c, segir \u00e1 einum sta\u00f0 \u00ed b\u00f3k Krist\u00ednar Marju. Einmitt \u00feannig upplif\u00f0i \u00e9g sj\u00e1lf endur fyrir l\u00f6ngu margar stundir \u00ed dj\u00fapum fir\u00f0i, \u00fear sem fj\u00f6llin eru svo h\u00e1, a\u00f0 enginn kemst yfir \u00feau nema fuglinn flj\u00fagandi.<\/p>\n\n\n\n\n\n
Og \u00e9g haf\u00f0i einhvern veginn l\u00e1ti\u00f0 mig dreyma um, a\u00f0 \u00e9g v\u00e6ri aftur komin vestur \u00feetta kv\u00f6ld, fengi a\u00f0 upplifa \u00feorpi\u00f0 \u00e1 n\u00fd og kynnast konum eins og hinni sp\u00e6nsku Juane, ungversku Evu, p\u00f3lsku Aniu og vestfirsku Petru \u201eflaggskipi\u00f0, sem dr\u00f3 \u00e1 eftir s\u00e9r flotann.\u201c Allt konur \u00e1 fl\u00f3tta undan fort\u00ed\u00f0inni, \u00ed leit a\u00f0 \u00f6ryggi, samasta\u00f0 og tilgangi \u00ed l\u00edfinu, r\u00e9tt eins og Fl\u00f3ra, s\u00f6gukona b\u00f3karinnar.<\/p>\n
Fl\u00f3ru haf\u00f0i veri\u00f0 sagt upp vinnunni fyrir sunnan, ekki or\u00f0in sextug, en \u201eof innr\u00f6mmu\u00f0\u201c a\u00f0 s\u00f6gn, \u00fea\u00f0 er a\u00f0 segja of g\u00f6mul. Starfi\u00f0 haf\u00f0i svo sem aldrei veri\u00f0 henni l\u00edfsfylling, heldur bara venjulegt brau\u00f0strit til a\u00f0 hafa ofan \u00ed sig og \u00e1. \u201e\u00deurfti ma\u00f0ur a\u00f0 vera sex\u00ed til a\u00f0 vinna almenn skrifstofust\u00f6rf?, \u201eOg \u00fea\u00f0 er dau\u00f0as\u00f6k a\u00f0 vinna ekki \u00e1 \u00cdslandi.\u201c Eftir a\u00f0 henni var sagt upp, haf\u00f0i h\u00fan loka\u00f0 sig inni, l\u00edti\u00f0 fari\u00f0 \u00fat. Haf\u00f0i kvi\u00f0i\u00f0 \u00fev\u00ed a\u00f0 fara a\u00f0 sofa, aldrei \u00e6tla\u00f0 a\u00f0 festa svefn. Keypti \u00ed matinn, \u00feegar minnst var a\u00f0 gera \u00ed b\u00fa\u00f0inni. \u00de\u00e1 \u00feurfti h\u00fan ekki a\u00f0 hitta neinn, sem seg\u00f0i: \u201eErtu ekkert a\u00f0 vinna?\u201c<\/p>\n
\u00deetta er fyrst og fremst saga um konu, sem stendur \u00e1 t\u00edmam\u00f3tum. Henni finnst h\u00fan ni\u00f0url\u00e6g\u00f0 og upplifir h\u00f6fnun. Sj\u00e1lfstrausti\u00f0 brosti\u00f0. Og h\u00fan veltir \u00fev\u00ed fyrir s\u00e9r, \u201ehvers vegna \u00fea\u00f0 s\u00e9 svona ni\u00f0urdrepandi a\u00f0 eldast \u00e1 \u00cdslandi.\u201c \u201e\u00dea\u00f0 s\u00e9 allt a\u00f0 \u00fev\u00ed skammarlegt, bara ekki reikna\u00f0 me\u00f0 manni lengur sem fullgildum \u00fej\u00f3\u00f0f\u00e9lags\u00feegni.\u201c \u00deetta er kunnuglegt \u00feema, sem hv\u00edlir \u00feungt \u00e1 \u00f6llum, sem eru komnir yfir mi\u00f0jan aldur.<\/p>\n
Fyrir einhverja tilviljun er Fl\u00f3ra allt \u00ed einu komin vestur \u00e1 fir\u00f0i a\u00f0 m\u00e1la gamalt h\u00fas. \u00dear kynnist h\u00fan konum af erlendum uppruna, sem eru \u00ed svipa\u00f0ri st\u00f6\u00f0u og h\u00fan sj\u00e1lf. Konum, sem einhvers sta\u00f0ar \u00e1 l\u00edfslei\u00f0inni hafa misst f\u00f3tanna, fl\u00fai\u00f0 erfi\u00f0ar a\u00f0st\u00e6\u00f0ur og leita\u00f0 athvarfs \u00ed dj\u00fapum fir\u00f0i fyrir vestan. Og \u00fear gerist \u00fea\u00f0 kraftaverk, a\u00f0 l\u00edfi\u00f0 f\u00e6r tilgang \u00e1 n\u00fd.<\/p>\n
M\u00e9r finnst leikmynd Gr\u00e9tars Reynissonar brilliant a\u00f0 m\u00f6rgu leyti, svona til a\u00f0 v\u00edsa okkur veginn, til a\u00f0 hj\u00e1lpa okkur a\u00f0 skilja s\u00f6guna betur \u00ed upphafi. Vestfjar\u00f0ag\u00f6ng s\u00e1larl\u00edfsins, steinsteypt, gr\u00e1 og kaldranaleg. Eins konar tenging milli hins li\u00f0na og \u00f3komna, \u00feess sem er a\u00f0 baki og \u00feess sem er framundan. En um lei\u00f0 er h\u00fan til vitnis um einangrun og einmanaleika, me\u00f0 steypuna allt um kring.<\/p>\n
En hvar er \u00feorpsstemningin vi\u00f0 enda ganganna, \u00fear sem Fl\u00f3ra finnur tilgang, byrjar n\u00fdtt l\u00edf? Hvar eru h\u00fasin \u00ed brekkunni, n\u00fdm\u00e1lu\u00f0 og vinaleg, umvafin bl\u00f3mskr\u00fa\u00f0i, sem l\u00edfga upp \u00e1 stutt sumur? Samdr\u00e1ttur f\u00f3lks undir g\u00f6mlum eldh\u00fasglugga \u00ed \u201ef\u00e9lagsmi\u00f0st\u00f6\u00f0 vinnusta\u00f0anna\u201c? Steing\u00f6ngin byrgja manni s\u00fdn, l\u00e6sa okkur inni \u00ed reykmettu\u00f0u lofti. Vi\u00f0 erum f\u00f6st, komumst aldrei \u00fat, ekkert framundan. Eru \u00fea\u00f0 skilabo\u00f0in?<\/p>\n
\u00deegar upp er sta\u00f0i\u00f0 \u00ed lokin, erum vi\u00f0 engu n\u00e6r. Einhver sta\u00f0ar \u00e1 lei\u00f0inni glutrast ni\u00f0ur megin\u00feema verksins, um konuna, sem upplifir h\u00f6fnun, missir sj\u00e1lfstrausti\u00f0 og tekst a\u00f0 vinna sig \u00fat \u00far \u00fev\u00ed, hvort sem \u00fea\u00f0 er Fl\u00f3ra sj\u00e1lf, konur af erlendum uppruna e\u00f0a listakonan, sem ekki var metin a\u00f0 ver\u00f0leikum.<\/p>\n
B\u00f3k Krist\u00ednar Marju spannar heilar 380 s\u00ed\u00f0ur, og \u00fea\u00f0 er \u00f3gerningur a\u00f0 koma \u00f6llu efninu a\u00f0 \u00e1 einu kv\u00f6ldi \u00ed leikh\u00fasinu. \u00de\u00f3tt Fl\u00f3ra s\u00e9 s\u00fa pers\u00f3na sem lei\u00f0ir fr\u00e1s\u00f6gnina, \u00fe\u00e1 koma margir a\u00f0rir vi\u00f0 s\u00f6gu, sem eru ekki s\u00ed\u00f0ur \u00e1hugaver\u00f0ir. Hver og einn hefur sinn dr\u00f6sul a\u00f0 draga.<\/p>\n
\u00dea\u00f0 hef\u00f0i veri\u00f0 gaman a\u00f0 f\u00e1 a\u00f0 heyra meira um l\u00edf kvenna \u00ed P\u00f3llandi e\u00f0a Ungverjalandi, e\u00f0a \u00fe\u00e1 um hann J\u00f3hannes, sem haf\u00f0i helga\u00f0 frystih\u00fasinu l\u00edf sitt. Og hva\u00f0 vitum vi\u00f0 svo sem um Krumma, sem beitir Juane ofbeldi og endar me\u00f0 \u00fev\u00ed a\u00f0 kasta \u00ed hana snj\u00f3bolta, \u00fear sem h\u00fan er a\u00f0 syngja \u00ed kirkjunni, r\u00fastar t\u00f3nleikunum? Illa upp alinn fauti? Afbr\u00fd\u00f0isamur vesalingur? Hva\u00f0 segir hin alvitra Petra um \u00fea\u00f0? \u201e\u00dea\u00f0 er samf\u00e9lagi\u00f0, sem elur \u00feennan mann, \u00fea\u00f0 er samf\u00e9lagi\u00f0, sem \u00e1kve\u00f0ur st\u00f6\u00f0u hvers og eins.\u201c<\/p>\n
Allavega, \u00fe\u00e1 r\u00eds \u00feessi r\u00e6fill ekki undir \u00fev\u00ed a\u00f0 ver\u00f0a a\u00f0alpers\u00f3nan \u00ed \u00f6rlagas\u00f6gu \u00feessara kvenna. Enn einn Metoo fr\u00e9ttaaukinn hefur einhvern veginn villst inn \u00ed verki\u00f0. Sagan sj\u00e1lf er miklu merkilegri en \u00fea\u00f0. Allar eru konurnar \u00e1hugaver\u00f0ar pers\u00f3nur. Allar eiga \u00fe\u00e6r \u00fea\u00f0 sameiginlegt a\u00f0 hafa or\u00f0i\u00f0 a\u00f0 yfirgefa heimkynni s\u00edn \u00ed leit a\u00f0 n\u00fdju l\u00edfi. Sk\u00e1ldsagan gefur okkur til kynna, a\u00f0 s\u00fa leit hafi bori\u00f0 \u00e1rangur fyrir m\u00e1tt samst\u00f6\u00f0unnar og listarinnar. \u00deessi bo\u00f0skapur verksins hefur einhvern veginn t\u00fdnst \u00ed leikger\u00f0 verksins.<\/p>\n
\u00cd sk\u00e1lds\u00f6gunni skiptir \u00fea\u00f0 meginm\u00e1li, a\u00f0 allar eru \u00feessar konur g\u00e6ddar h\u00e6filekum, sem f\u00e1 ekki a\u00f0 nj\u00f3ta s\u00edn. Ein \u00feeirra, h\u00fan Ania fr\u00e1 Krak\u00e1, hefur svo heillandi s\u00f6ngr\u00f6dd, a\u00f0 dyr \u00f3peruh\u00fasa Evr\u00f3pu opnast, \u00feegar r\u00f6ddin hefur fengi\u00f0 a\u00f0 hlj\u00f3ma. H\u00e1punktur s\u00fdningarinnar \u00ed bl\u00e1lokin \u00e1 a\u00f0 sanna \u00feennan kyngikraft, en einhvern veginn tekst \u00fea\u00f0 ekki, \u00fear sem Wagners\u00f6ngkonan er ekki m\u00e6tt til leiks utan b\u00f3kar.
\nElva \u00d3sk n\u00fdtur s\u00edn vel \u00ed hlutverki a\u00f0alpers\u00f3nunnar, Fl\u00f3ru. Elva \u00d3sk er einhvern veginn aldurslaus, hefur \u00feokkafulla og l\u00e1tlausa framkomu, getur tekist \u00e1 vi\u00f0 hva\u00f0 sem er. L\u00edka m\u00e1tulega sj\u00f3araleg fyrir Vestfir\u00f0i! Tveir Vestfir\u00f0ingar (a\u00f0 minnsta kosti) koma reyndar vi\u00f0 s\u00f6gu \u00ed \u00feessari s\u00fdningu, \u00feeir P\u00e1lmi Gestsson og Baldur Trausti. P\u00e1lmi \u00feekkir greinilega \u00feennan J\u00f3hannes verkstj\u00f3ra \u00ed frystih\u00fasinu fr\u00e1 fornu fari og lj\u00e6r honum l\u00edf og lit, sem situr eftir \u00ed minningunni. Baldur Trausti \u00ed hlutverki Kanadamanns af \u00fe\u00fdskum \u00e6ttum er m\u00e1tulega klaufskur \u00ed samskiptum vi\u00f0 kvenf\u00f3lk, r\u00e9tt eins og hver annar Vestfir\u00f0ingur!<\/p>\n
\u00dea\u00f0 var gaman a\u00f0 sj\u00e1 m\u00e6\u00f0gur leika hvor \u00e1 m\u00f3ti annarri \u00ed Svartalogni. (Er \u00fea\u00f0 ekki \u00ed fyrsta sinn, sem sl\u00edkt gerist?) Edda Arnlj\u00f3tsd\u00f3ttir hefur fyrir l\u00f6ngu sanna\u00f0 h\u00e6fileika s\u00edna en ekki fengi\u00f0 t\u00e6kif\u00e6ri sem skyldi. Petra hennar er m\u00e1tulega s\u00e9rviskuleg dramadrottning. Hins vegar vir\u00f0ist d\u00f3ttir hennar, Sn\u00e6fr\u00ed\u00f0ur Ingvarsd\u00f3ttir, vera \u00ed upp\u00e1haldi og hefur n\u00f3g a\u00f0 gera. Miki\u00f0 augnayndi og n\u00e6m \u00e1 \u00f3l\u00edkar pers\u00f3nur. S\u00f6ngur hennar og Esterar Tal\u00edu \u00e1 p\u00f3lsku bergm\u00e1la\u00f0i fallega \u00ed k\u00f6ldum veggjum Vestfjar\u00f0aganganna.<\/p>\n
Hallgr\u00edmur \u00e1tti svol\u00edti\u00f0 erfitt \u00ed hlutverki hins afbr\u00fd\u00f0isama Krumma. Rei\u00f0ik\u00f6st hans voru ekki alveg sannf\u00e6randi, enda hvernig \u00e1tti \u00fea\u00f0 a\u00f0 vera? Birgitta og Snorri Engilberts eru eins konar s\u00f6gumenn, ganga \u00fat og inn \u00e1 h\u00e6la Fl\u00f3ru, fara hratt yfir s\u00f6gu, tengja saman sk\u00e1lds\u00f6guna og leikriti\u00f0. Smekklega gert, en samt ekki n\u00f3gu sk\u00fdrt til \u00feess a\u00f0 allt skildist. \u00dea\u00f0 var l\u00edka gaman a\u00f0 sj\u00e1 Ragnhei\u00f0i Steind\u00f3rsd\u00f3ttur aftur \u00e1 svi\u00f0i, gl\u00e6silegri en nokkru sinni fyrr. Er h\u00fan ekki holdgervingur \u00feessa verks Krist\u00ednar Marju? A\u00f0 byrja n\u00fdtt l\u00edf?<\/p>\n
Eins og \u00e9g hef reynt a\u00f0 sk\u00fdra, \u00fe\u00e1 finnast m\u00e9r skilabo\u00f0 sk\u00e1lds\u00f6gu Krist\u00ednar Marju ekki komast til skila \u00ed \u00feessari s\u00fdningu. H\u00fan hef\u00f0i \u00e1tt betra skili\u00f0. Fr\u00e1s\u00f6gnin er of yfirbor\u00f0sleg til a\u00f0 vera tr\u00faver\u00f0ug. S\u00f6gu\u00fer\u00e1\u00f0urinn er ekki n\u00f3gu sk\u00fdr, reyndar of fl\u00f3kinn, mi\u00f0a\u00f0 vi\u00f0 \u00fea\u00f0, a\u00f0 ma\u00f0ur hafi ekki lesi\u00f0 b\u00f3kina \u00e1\u00f0ur. Hilmir Sn\u00e6r hefur yfirleitt sk\u00fdra s\u00fdn og gott lag \u00e1 leikurum s\u00ednum. Honum tekst oftast a\u00f0 la\u00f0a fram \u00fea\u00f0 besta \u00ed hverjum og einum. En kannski var \u00fea\u00f0 handriti\u00f0, sem var ekki n\u00f3gu gott a\u00f0 \u00feessu sinni.<\/p>","protected":false},"excerpt":{"rendered":"
Brynd\u00eds Schram skrifar um leikriti\u00f0 Svartalogn sem frums\u00fdnt var \u00ed \u00dej\u00f3\u00f0leikh\u00fasinu 27. apr\u00edl s\u00ed\u00f0astli\u00f0inn. <\/p>\n
Byggt \u00e1 sk\u00e1lds\u00f6gu Krist\u00ednar Marju Baldursd\u00f3ttur
\nLeikger\u00f0: Melkora Tekla \u00d3lafsd\u00f3ttir
\nLeikstj\u00f3rn: Hilmir Sn\u00e6r Gu\u00f0nason
\nLeikmynd: Gretar Reynisson
\nB\u00faningar: Mar\u00eda Th. \u00d3lafsd\u00f3ttir
\nT\u00f3nlist: Mark\u00e9ta Irglova og Sturla Mio \u00de\u00f3rinsson
\nL\u00fdsing: Halld\u00f3r \u00d6rn \u00d3skarsson
\nHlj\u00f3\u00f0mynd: Elvar Geir S\u00e6varsson og Aron \u00de\u00f3r Arnarsson<\/p>\n
\u00dear sem \u00e9g virti fyrir m\u00e9r \u00feessa h\u00f3gv\u00e6ru og l\u00edtill\u00e1tu konu, Krist\u00ednu Marju Baldursd\u00f3ttur, h\u00f6fund Svartalogns, \u00fear sem h\u00fan st\u00f3\u00f0 brosandi fremst \u00e1 svi\u00f0inu, umkringd leikurum og handverksm\u00f6nnum \u00ed lok s\u00fdningar, f\u00f3r \u00e9g \u00f3sj\u00e1lfr\u00e1tt a\u00f0 velta \u00fev\u00ed fyrir m\u00e9r, hvernig henni li\u00f0i \u00e1 \u00feessari stundu. Var h\u00fan \u00e1n\u00e6g\u00f0? Fannst henni b\u00f3kin s\u00edn, \u00fea\u00f0 er a\u00f0 segja skilabo\u00f0 b\u00f3karinnar, komast til skila \u00ed leikger\u00f0 Melkorku Teklu \u00d3lafsd\u00f3ttur? <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,5],"tags":[],"class_list":["post-232","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-greinar_og_vidtol"],"_links":{"self":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/comments?post=232"}],"version-history":[{"count":2,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/232\/revisions"}],"predecessor-version":[{"id":485,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/posts\/232\/revisions\/485"}],"wp:attachment":[{"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/media?parent=232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/categories?post=232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jbh.is\/bs\/index.php\/wp-json\/wp\/v2\/tags?post=232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}